Solid waste is one of the major sources of pollution in the world, and the most remarkable sources of pollution in AL-Ahsa because of its increasing prevalence and lack of appropriate technical methods for dealing with such wastes, Modern artists see them as new materials to inspire innovative waste-removing ideas and new artistic techniques such as Assemblage Art as an artistic solution. Many approaches were used, and some contemporary artists attempted to reformulate these wastes using various creative techniques. The benefit of these strategies is that they dealt with environmental issues and opted for solutions in a modern and trendy way, bypassing traditional art. This research aims to shed light on the most important international techniques for turning solid environmental waste into wall paintings, as well as to develop a broad awareness of the aesthetic sense of art education students toward benefiting from these wastes and using them aesthetically in wall paintings at King Faisal University and the city of Ahsa, which lacks artwork in its alleys. By using the descriptive method in terms of the theoretical framework and the experimental method in terms of applied framework to conduct a student analysis on their experience by aesthetically painting with solid environmental waste in their work.key words "Solid Environmental Waste", "Ahsa Governorate"," Wall Painting"," Aesthetic Awareness"

The method of pouring colors on the surface of the painting and the ceramic plate provided new ways to deal with colors from the point of view of abstract expressions. Hence the interest of the researchers in employing the special aesthetics of methods of pouring colors of ceramic paints and acrylic colors and employing color values ​​to create color formations with expressive and abstract features, by photographing those color formations, and confirming the visual perceptions resulting from pouring methods using digital techniques, and then reprinting them on Canvases as plastic paintings, and the research followed an experimental methodology, through which they presented a self-experiment in the style of pouring colors.

The research made a recommendation for studies that deal with the psychological analysis of personality using color formations as a result of the subjective experience of the research and the implications and meanings they contain as projective cards in art therapy.

key words: " Pouring colors", " abstract expressionism ", " surface of the painting ", " ceramic plate "